Contact Improvisation

An Ongoing Research Lab

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Rebecca Charlotte Kelly

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Week Six 3/11/14 Going Up

November5

In today’s session we particularly focused on giving and taking weight to enable more advance contact lifts. To begin, in partners one moved through the space whilst the other lightly traced their movement patterns by placing their hands on their different body parts. Through the light touches I could feel which of my body initiated […]

Week Five 20/10/14 Contact research lab

October21

 ‘How can we explore momentum alongside the idea of coming off the floor without using the support of our hands and how does this change when working with new or old partners?’ As a group we devised four tasks to help explore and answer our research question:  Starting with skinesphere gradually integrating lower and upper […]

Week Four 13/14/14 Sharing Gravity &Balance

October20

Today we began by watching a short video of an animated skeleton, the skeleton enhanced how even when we are standing in a still neutral position the body always has slight movement. According to Steve Paxton this movement is known as the small dance.( ZayacZhe, 2009). We experienced the small dance by standing with our eyes […]

Week Three 6/10/14 Releasing the head and activating the eyes

October8

Before we started moving we compared two different contact improvisation videos, Steve Paxton’s Magnesium (1972) and Blake and Brandon from Earthdance (2010). Paxton’s Magnesium was the first live performance of contact improvisation, thus the movement content was extremely raw showcasing fast pace movement that challenged reflexes and was full of rolling, falling and weight transfer. […]

Week Two 29/9/14 The rolling point and the under/over dancer

October6

Prior to last week’s class we began with a similar principle of freely walking around the space energising the room, which steadily brought us down to the floor to experiment with ‘skinesphere’ through rolling, sliding and gliding. Again the task gradually builds to using lower kinesphere, upper kinesphere and then a combination of all (upper/lower […]

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